Sunday, 4 November 2012

East Lothian: a book festival and a stay in an hotel

Lennoxlove - cannon facing outward from the front of the house

Lennoxlove - door to book festival book shop
Lennoxlove is a great venue for a book festival. I had tickets for three events, but in the end I only went to one: Richard Holloway talking about his autobiography Leaving Alexandria with Sally Magnusson. A fascinating session. I misread the time of Alistair Moffat's session revealing some discoveries about British DNA so I missed it, but luckily I met someone who had been there and confirmed that the big news is: there is no difference between Scottish DNA and any other British DNA. What will Alex Salmond make of that, I wonder? I had booked for Alistair Darling tonight but missed it to return for The Green Frog fireworks. It was spectacularly beautiful weather at Lennoxlove yesterday and North Berwick today, as I gather it was too in Moffat.

Less good news: my room at Macdonald's supposedly five star Marine hotel in North Berwick, featuring peeling paint, plug points near the floor, kettle stand with flex too short to reach a table; stained headboard. Not pictured: the heavy tea tray was positioned above head height on a high shelf in the clothes cupboard; a very noisy party was taking place in the room next door to mine until 9.30pm when the revellers went down to dinner; the hotel failed to deliver the newspaper I had ordered;  don't get me started...
Depressing: peeling paint round door to room 219

Kettle: to boil, place on floor - note length of flex


Stained headboard

the only other three pin plug point, near floor behind easy chair



Saturday, 3 November 2012

Murder in Moscow

Still from performance of A Russian Rehearsal at Mark Rozovsky's theatre 'At the Nikitsky Gates'in Moscow
Great news today: the T S Eliot estate has given permission for translation out of Russian into English of the text of a play I collaborated on at Mark Rozovsky's Theatre At the Nikitsky Gates to tell the story of Fr Alexander's murder via the device of Russian actors rehearsing Murder in the Cathedral. Curiously, this news fits well into the themes of two of our major events next year: Crime Fiction (April 20-21) and an international conference on translation (in its widest sense) Sept 27-29 2013

Friday, 2 November 2012

My Autumn Stores

Top shelves of my stores: coffee; meringues; last year's panettone;light bulbs;spaghetti; oatcakes; flask; wicks; rice; Smash; cous cous; Dorset cereal; matches; Tina Fox's vegetarian calendar with recipes; oatmeal for porridge; oatcakes; honey; apricot jam; Twinings herbal tea; chocolate biscuits; iron cleaner stick; herbal teas; plate display gadget; triangular glass dish; electric room freshner; spruce room spray; powdered lemon tea; hemp seeds; mint humbugs; Maltesers;Snickers bars...

Bottom view of my shelves: oven gloves; Twiglets; Pringles; Christmas cake; cake tins; drying up cloths;
Last week I showed my autumn mantelpiece. Today I show my shelves. This may be a way of shaming myself into putting things into proper order. I moved out of two houses in Dec 2009, and into this one in Sept 2010 so I am two years into the process of getting things sorted out. My dining table is now clear of assorted debris, thanks to Sally Tait, and I am giving a cautious lunch party for three uncritical friends on Tuesday to force me to learn how to use the cooker and discover how many plates I have got, check numbers of knives and forks etc. I often praise this house, which is easily the best and most convenient I have ever lived in. I have lived in: a house my father built in Kent; a flat in Curzon Place W1 (with Vidal Sassoon); a flat in Basil St , SW3 (with John Cleese); a house in Paultons Square next to Kathleen Raine, lover of Gavin 'Ring of Bright Water' Maxwell; a dacha in south Lanarkshire and now here in Millburn House. The reason I need to discover how to use the cooker is that the house has two kitchens: one upstairs which I use all the time, and one downstairs which I have only ever used the first Christmas I was here ie Dec 2010. Christmas lunch was a complete disaster. I had fondly assumed that we  - my two daughters and their respective spouses and children - would gather like Hannah and her three sisters in that Woody Allen film doing Thanksgiving - chatting as we peeled spuds and sprouts, someone playing the piano and someone singing (it was the grandfather and grandmother in the film). As so often happens in real life, things could not have been more different. For a start, in total contrast to my childhood and what I remember about Christmas when my children were young, no one really wanted to eat anything. This quite literally knocked the stuffing out of me, and the whole event. The cooker was quite antiquated, and since then my generous landlord has supplied a new one which I now intend fully to get to grips with. 

Skyfall


Well, I went to see the new Bond film yesterday evening at the Odeon in Dumfries. It is a bit of a curate's egg (the film, I mean. The Odeon Dumfries is definitely addled through and through). There are moments of great beauty reminiscent of the film that won director Sam Mendes his Oscar, American Beauty. It has a very clever plot, setting up story lines for the next one, which I guarantee will feature the Provos or former members of the IRA - you'll see why when you see the film. Some other bullet points: Daniel Craig looks like Putin, and those who know Richard Grieveson, director of D&G Sport and Arts will also see a resemblance. I may have nodded off but do you think there is a muddle about which shoulder Bond is wounded in? Does the yacht set off from the same bay with the same island as the unidentified but we assume Turkish seaside place where Bond is lying low at the start of the film. But aren't we meant to be in Macau? When my attention strayed in a film, I thought of watching Albert Finney going in to see his agent in a house in Curzon Street, opposite the flat where I was living studying for my A-levels in 1961. Finney spent many years with Diana Quick whose grandfather was a builder in Dartford who employed my father in the 1930's. Judy Dench's brother Geoffrey, also an actor, lived in a caravan in my aunt's garden for a while when he was starting out. The last time I saw him he was my partner at a croquet match in Wiltshire at my cousin John's house for some special birthday - maybe a 70th. There was a tangible rustle of satisfaction in the audience yesterday when it transpired that the climax of the film takes place in Scotland and that Bond is - yes! Scottish by upbringing at least. I wonder if VisitScotland is on to that?
Which side was the bullet wound?

A family history of caravans and croquet
 The Dartford connection

Wednesday, 24 October 2012

Autumn mantlepiece

My mantelpiece in October

Here is my mantlepiece today, which can be contrasted with how it looked on July 2 (see blog entry for that day). Far left, a wooden table lamp. I cannot remember where it came from, but I very much like its shape and colour, which is like a conker. Panning across we find an orange and green patterned pig made out of a milk carton; two vouchers for the Robert Burns Centre cinema, valid for a year - a reward for turning out to explain Moffat Book Events at a careers day at Wallace Hall school in Thornhill; Swedish horse, a present from Pia and Barty my friends in Stockholm, holding down an appointment for breast x-ray; voter's card for the D&G council election in November; reeds in a glass jar containing unmarked aromatic liquid; tickets and parking vouchers for Lennoxlove Book festival in November; invitation to opening by the Provost of Glasgow of George Wyllie exhibition at the City Chambers; Russian doll - part of a set; another room freshener with reeds, containing l'Occitane's 'Fleurs Blanches'; yellow and blue painted milk carton pig; threeheaded cobra holding down 'World Cafe' event at Glasgow's Tramway in Nov; thank you card (gentians) from participant in our MBE Russia conference in Sept; 2013 calendar from the Russian Museum showing on the cover Boris Kustodiev's Merchant's wife drinking tea; small dish containing marbles; empty cardboard box, once containing a small bar of guest soap presumably taken from  a hotel bathroom.

The gentians on the card remind me of that remarkable, mysterious and unforgettable poem by D H Lawrence:

Bavarian Gentians
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.

Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of 
Pluto's gloom,
ribbed and torch-like, with their blaze of darkness 
spread blue down flattening into points, flattened under 
the sweep of white day torch-flower of the blue-smoking darkness, 
Pluto's dark-blue daze,black lamps from the halls of Dis, 
burning dark blue, giving off darkness, blue darkness, 
as Demeter's pale lamps give off light,
lead me then, lead the way.

Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch 
of this flower down the darker and darker stairs, 
where blue is darkened on blueness even where 
Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake 
upon the dark and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion 
of dense gloom,among the splendour of torches of 
darkness, shedding darkness on
the lost bride and her groom.
 
 

Sunday, 21 October 2012

Rimbaud: A reminder

'Il ne s'en ira pas'
A reminder of yesterday's birthday boy:
Génie
Il est l’affection et le présent puisqu’il a fait la maison ouverte à l’hiver écumeux et à la rumeur de l’été—lui qui a purifié les boissons et les aliments—lui qu’est le charme des lieux fuyant et le délice surhumain des stations.—Il est l’affection et l’avenir, la force et l’amour que nous, debout dans les rages et les ennuis, nous voyons passer dans le ciel de tempête et les drapeaux d’extase.
Il est l’amour, mesure parfaite et réinventée, raison merveilleuse et imprévue, et l’éternité: machine aimée des qualités fatales. Nous avons tous eu l’épouvante de sa concession et de la nétre: o jouissance de notre santé, élan de nos facultés, affection égoïste et passion pour lui,—lui qui nous aime pour sa vie infinie…
Et nous nous le rappelons et il voyage…Et si l’Adoration s’en va, sonne, sa Promesse, sonne: "Arrière ces superstitions, ces anciens corps, ces ménages et ces ages. C’est cette époque-ci qui a sombré!"
Il ne s’en ira pas, il ne redescendra pas d’un ciel, il n’accomplira pas la rédemption des colères de femmes et des gaîtés des hommes et de tout ce péché: car c’est fait, lui étant, et étant aimé.
O ses souffles, ses têtes, ses courses; la terrible célérité de la perfection des formes et de l’action.
O fécondité de l’esprit et immensité de l’univers!
Son corps! Le dégagement rêvé, le brisement de la grâce croisée de violence nouvelle!
Sa vue, sa vue! tous les agenouillages anciens et les peines relevés à sa suite.
Son jour! l’abolition de toutes souffrances sonores et mouvantes dans la musique plus intense.
Son pas! les migrations plus énormes que les anciennes invasions.
O Lui et nous! l’orgueil plus bienveillant que les charités perdues.
O monde!—et le chant clair des malheurs nouveaux!
Il nous a connu tous et nous a tous aimé, sachons, cette nuit d’hiver, de cap en cap, du pôle tumultueux au château, de la foule à la plage, de regards en regards, forces et sentiments las, le héler et le voir, et le renvoyer, et sous les marées et au haut des déserts de neige, suivre ses vues,—ses souffles—son corps,—son jour.
Genie
He is affection and the present moment because he has thrown open the house to the snow foam of winter and to the noises of summer—he who purified drinking water and food—who is the enchantment fleeing places and the superhuman delight of resting places.—He is affection and future, the strength and love which we, erect in rage and boredom, see pass by in the sky of storms and the flags of ecstasy.
He is love, perfect and reinvented measure, miraculous, unforeseen reason, and eternity: machine loved for its qualities of fate. We have all known the terror of his concession and ours: delight in our health, power of our faculties, selfish affection and passion for him,—he who loves us because his life is infinity…
And we recall him and he sets forth…And if Adoration moves, rings, his Promise, rings: "Down with these superstitions, these other bodies, these couples and ages. This is the time which has gone under!"
He will not go away, he will not come down again from some heaven, he will not redeem the anger of women, the laughter of men, or all that sin: for it is done now, since he is and since he is loved.
His breathing, his heads, his racings; the terrifying swiftness of form and action when they are perfect.
Fertility of the mind and vastness of the world!
His body! the dreamed-of liberation, the collapse of grace joined with new violence!
All that he sees! all the ancient kneelings and the penalties canceled as he passes by.
His day! the abolition of all noisy and restless suffering within more intense music.
His step! migrations more tremendous than early invasions.
O He and I! pride more benevolent than lost charity.
O world!—and the limpid song of new woe!
He knew us all and loved us, may we, this winter night, from cape to cape, from the noisy pole to the castle, from the crowd to the beach, from vision to vision, our strength and our feelings tired, hail him and see him and send him away, and under tides and on the summit of snow deserts follow his eyes,—his breathing—his body,—his day.
[from Illuminations (1872-1874?)]

from Rimbaud: Complete Works, Selected Letters, a Bilingual Edition

Translated by Wallace Fowlie and revised by Seth Whidden

Friday, 19 October 2012

Our first AGM

Happy birthday, Arthur Rimbaud! Poet and arms dealer.
We held our first Moffat Book Events AGM yesterday evening, a landmark in the affairs of any organisation. We are positioning ourselves as facilitators of all the arts in Moffat and area, as our chairman Andrew Wheatcroft explained in his chairman's report - as follows:


Moffat Book Events
Chairman’s Report for Inaugural AGM
Fri Oct 19 2012 at 7pm MDCI


Moffat Book Events (MBE) started in 2010 as a community group, founded by Marilyn Elliott and Elizabeth Roberts. They took advice from Alistair Moffat who runs the highly successful Borders Book Festival. Alistair told them two things: it would take them 10 years to establish MBE on the scene, and they needed £10,000 as start-up funds.  Advice and practical help was also generously provided by Carolyn Yates, Dumfries and Galloway’s Literature Development Officer. Elizabeth supplied the startup cash.

In spring 2011, MBE launched its first event: ‘Love and Marriage in Moffat’ – a celebration to coincide with the launch by Persephone Books of ‘Miss Buncle’s Book’, their reissue of a best seller by local author D E Stevenson. In autumn 2011, our programme explored matters as various as Scotland’s DNA ‘Identity – Jeans or Genes’ (Alistair Moffat making the first of what we hope was the first of many appearances under our auspices), advice on children’s books with Guardian children’s books editor Julia Eccleshare and the introduction of ‘The Moffalump’ - Moffat story teller Angus Sinclair’s imaginary beastie.

It was MBE’s accountant Gerald McGill who advised the organizing committee to apply for Scottish Charitable Incorporated Organisation status. A constitution was agreed in July 2011 and SCIO status was granted in December last year. The granting of charitable status was an important development, giving us a framework and a structure – and an identity beyond that of just  a group of enthusiasts.

Plans for 2012 were soon under way. A coffee morning to raise funds was held at Moffat Town Hall on St Patrick’s Day 2012. A garden-themed event ‘Beyond the Garden Gate’ on Sat May 26 was a great success, with a ‘Gardens Open’ day organized by Tina Fox and a team of volunteers on Sunday May 27. Janet Wheatcroft had a Free Weekend for All at  Craigieburn, and my strongest memory is of children roaming the garden trying to find the Moffalump

Looking ahead, we have lots of plans for 2013 and beyond, fund raising permitting. There is no shortage of ideas but we need to be ambitious in developing the kind of plans that will attract serious levels of support. With that in mind, we are very lucky to be working with Alan Thomson, a well-respected figure on the D&G arts scene. He took over the organization of our extremely successful international conference last month: ‘Russia: Lessons and Legacy’. He is now helping us broaden our horizons,  applying to take part in Creative Scotland and Scottish Natural Heritage’s ‘Open Country’ scheme, Day of the Region 2013 and to  apply for Creative Scotland’s Creative Places’ award in 2014.

So we have a double strategy. In the immediate term we want to put on a growing number of events. The first of this we hope will be an event centred on crime fiction – Murder in Moffat is the provisional title, for next  Spring. Scottish  Crime Fiction is becoming –like Scandinavian Crime Fiction- an important and identifiable category of writing. Our major task is to find the funds to make it possible. At the same time we are we are aiming to consolidate our partnership with the Russian state library for foreign publications (a result of ‘Russia: Lessons and Legacy ) The collaboration will play an active role in the UK Year of Russian Culture and Language in 2014. It celebrates  the 400thanniversary the building of the Globe Theatre and the 450th of Shakespeare’s death. All parts of the United Kingdom will be involved and we hope, working with The British Council, to make a significant contribution to the celebrations in Scotland. We shall use this activity a major part of our Creative Places application.

All this may seem very ambitious. It is. However,  the lesson of Alistair Moffat’s success with the Borders Book Festival and the development of Wigtown is that big ideas can sometimes be more be more achievable than something more modest. My belief that our great asset is Moffat itself. When we had the Beyond the Garden Gate event, and also ‘Russia: Lessons and Legacy, the speakers were entranced by the town.

This is why we are so anxious to extend our membership, and to bring  together fresh ideas and effective enthusiasm. I stepped into the shoes of Adam Dillon, and it was only then that I realized the opportunity that we have to put Moffat on the big map as a centre of creativity: publishing books, writing books, enthusiastic readers, theatre, music, - and more.

Andrew Wheatcroft
Oct 19 2012